From Kim Beissel: Nick borrowed this book from Jim Sclavunos, did a quick edit on the words and they recorded it very quickly. This text is THE version. The other well known blues versions as already quoted in the Cave Inn bear very little resemblance to NCs version.: (The line which Nick added about "I'd crawl over 50 good pussies...." was lifted from an X-rated blues song called "Two Time Slim" by Snatch & The Poontangs. There is very little info on this track. It dates from around 1969, and is available on a German compilation on the Zuzazz label called "If It Ain't a Hit I'll Eat My ...Baby") "The Life, The Lore, and Folk Poetry of the Black Hustler"
Stagger LeeBack in '32 when times were hard, His woman threw him out in the ice and snow, He hadn't copped for a long, long time, He walked through rain and he walked through mud, He said, "Mr. Motherfucker, you must know who I am." He said, "Well, bartender, it's plain to see, Barkeep said, "Yeah, I heard your name down the way, Well, those were the last words the barkeep said, Just then in came a broad named Nellie Brown, She came 'cross the bar, pulling up her skirt, She dug the barkeep and said, "He can't be dead." She said, "You look like you ain't copped in quite a time. "But there's something I'll have to say before you begin. "I'll stay there till Billy Dilly comes in, till time comes to pass. And furthermore I'll fuck Billy Dilly in his motherfucking ass." Well they started to fuck, and she started to fart. Just then Billy Dilly rolled in and said, "You must be "Yeah I'm Stagger Lee, and you'd better get down on your knees and slobber my head, Billy dropped down and slobbered on his head, Glossary: Bitch: Woman (not always pejorative) |
Here's Nick Cave on his version of Stagger Lee, plus a long list of people who've done versions of the song. Both are taken from surely the definitive (?) article on the subject that I mentioned from the January issue of Mojo magazine (the magazine usually for aging Pink Floyd fans). Nick's lyrics are available, as well as three traditional verisons. |
The Young Gun
BOOM-BOOM BOOM-BOOM...Stagger Lee has a century-long charge sheet, including... |
Title | Performer | Year of Performance |
---|---|---|
Stagger Lee | Waring's Pennsylvanians | 1923 |
Stagger Lee | Frank Westphal & His Regal Novelty Orchestra | 1923 |
Stagger Lee | Herb Wiedoeft's Cinderella Roof Orchestra | 1924 |
Stack O'Lee Blues | Ma Rainey & Her Georgia Band | 1925 |
Stagger Lee | Evelyn Thompson | 1927 |
Stagger Lee | Jack Linx & His Society Serenaders | 1927 |
Stackalee | Frank Hutchison | 1927 |
Original Stack O'Lee Blues | Long Cleve Reed & The Down Home Boys | 1927 |
Stack O'Lee Blues | Duke Ellington & The Washingtonians | 1928 |
Stack O'Lee | Cliff Edwards | 1928 |
Stagger Lee | Boyd Senter & His Senterpedes | 1928 |
Stack O'Lee Blues | Mississippi John Hurt | 1929 |
Billy Lyons And Stack O'Lee | Furry Lewis | 1929 |
Stagger Lee | Cab Calloway & His Orchestra | 1931 |
Stagger Lee | Woody Guthrie | 1931 |
Stack O'Lee Blues 1 and 2 | Carson robison & His Pioneers | 1932 |
Stackerlee | Foy Gant, Austin, Texas | 1934* |
Stagolee | Albert Jackson, State Farm, Atmore, Alabama | 1934* |
Stagolee | Blind Pete and Partner, Little Rock, Arkansas | 1934* |
Stagolee | John (Big Nig) Bray, Amelia, Louisiana | 1934* |
Stagolee | Group Of Women Prisoners, State Farm, Raiford, Florida | 1936* |
Stagolee | Lonnie Robertson, State pen., Parchman, Mississippi | 1936* |
Stagolee | Bert Martin, Manchester, Kentucky | 1937* |
Stagolee | Blind Jesse Harris, Livingston, Alabama | 1937* |
Stack O'Lee Blues | Johnny Dodds & His Chicago Boys | 1938 |
Stagolee | Luscious Curtis & Willie Ford, Natchez, Mississippi | 1940* |
Staggerlee | Memphis Slim, Big Bill Broonzy & Sonny Boy Williamson | 1946 |
Staggerlee Bama | A Convict | 1947*, incl. on Murderer's Home |
Stack-a-Lee Pts 1 and 2 | Archibald | 1950 |
Stack-o-Lee | Tennessee Ernie Ford | 1951 |
Stagger Lee | Lloyd Price | 1958 |
Stack-o-Lee Blues | Ken Colyer | 1958 |
Staggerlee | Sung by Hogman Maxey, Convict | 1959*, incl. on Angola Prisoner's Blues |
Stagger Lee | Jerry Lee Lewis | 1959 |
Staggerlee | The Isley Brothers | 1963 |
Stack O'Lee | Tom Rush | 1965 |
Stagger Lee and Billy | Ike & Tina Turner | 1965 |
Stack O'Lee | Prince Buster & His Trojans | 1966 |
Stagger Lee | James Brown | 1967 |
Stagger Lee | Wilson pickett | 1967 |
Stagger Lee | Tim Hardin | 1967 |
Staggerlee | Taj Mahal | 1969 |
Stagger Lee | PJ Proby | 1969 |
Stagger Lee | DION | 1969 |
Stagger Lee | Mike Bloomfield | 1969 |
Staggerlee | Wilbert Harrison | 1970 |
Stagger Lee | Tommy Roe | 1971 |
Stack-a-Lee Pts 1 and 2 | Dr. John | 1972 |
Stagger Lee | Professor Longhair | 1975 |
Stagolee Was A Bully | Uncle John Patterson | 1978 |
Stagger Lee | The Grateful Dead | 1978 |
Stagger Lee/ Wrong 'Em Boyo | The Clash | 1979 |
Stagger Lee | Neil Diamond | 1980 |
Staggerlee | SOuthside Johnny & The Asbury Dukes | 1981 |
Staggerlee | Neil Sedaka | 1984 |
Stagger Lee | Doug Sahm | 1984 |
Stack O'Lee Blues | Dead brain cells | 1987 |
Stack A Lee | Bob Dylan | 1993 |
Stagger Lee | Nick Cave & The Bad Seeds | 1996 |
(*) Denotes field recording. List compiled by James Maycock.
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Hope that's of use to the Stagger Lee-spotters among us. Regards, There was a young man called Nick Cave |
From The Annotated Greatful Dead Lyrics Stagger LeeThere are a number of tunes entitled "Stagger Lee" which have been recorded over the years. They all derive from a series of tales and songs in African- American folklore. One serious attempt to ascertain the possible historical existence of Stacker Lee was made, in an article by Richard E. Buehler, "Stacker Lee: a Partial Investigation into the Historicity of a Negro Murder Ballad," published in the Keystone Folklore Quarterly in the Fall, 1967 issue (pp. 187-191.) Buehler identifies a Stacker Lee who was a Confederate officer and subsequently an upstanding member of the community, and who is unlikely to have been the model for the badman of legend. And while Buehler suggests several lines for further research, no one seems to have taken up the task--notably the possibility that the key to the historicity of the ballad may lie in the name "Billy Lyons," rather than in Stacker Lee. This historical Stacker Lee unearthed by Buehler was the member of the Lee family of steamboat owners, and he points out that "Many of the Lee Line boats were named for members of the Lee family, and one of them was the Stacker Lee (hence the name of Miss Ferber's showboat [immortalized in her book, Show Boat]). This boat was commissioned in 1906 and went down in 1916." (p. 188)Blair Jackson, in his magazine "Golden Road" said this about "Stagger Lee": ""Stagger Lee," who pops on the Shakedown album is a fabled character who some suggest dates back to the Civil War. Variously called "Stag-O-Lee," "Stack-O-Lee," and other names, the song is about a scoundrel who killed Billy Lyons because he stole Stag's Stetson hat. Stag-O-Lee was upset about the death, though--because he failed to shoot Billy right between the eyes. Songwriters over the years have elaborated on the story, bringing in the bad man's deals with the devil, etc. It's been recorded often, by everyone from Mississippi John Hurt (his 1928 version is one of the first on record) to Professor Longhair and Doc and Merle Watson." Stetson HatThe archetypal western hat. Patrick Bousquet's article, "The Hat of the West: John B. and his Stetson," tells the history of the hat, and of its creator, John B. Stetson. Stetson was born in 1830 to a "master hatmaker, Stephen Stetson, of Orange, New Jersey." He invented what is now thought of as the classic Stetson about 1850, "...a large hat with a broad brim for protection from the sun and rain, and it had a high crown." (p. 19) When he went into production with this hat, he christened it "Boss of the Plains." B. A. Botkin in "A Treasury of American Folklore: Stories, Ballads, and Traditions of the People" has this story:
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